Guide — SS’26
A summer 2026 luxury wardrobe, in detail.
What women buying the Antimony catalogue are looking for in 2026 has finally settled: fabrics that breathe, silhouettes that hold their line in heat, and a smaller, smarter wardrobe that survives both Delhi and the resort. This is our considered guide, fibre by fibre, piece by piece.
01 — Fabric
The four fibres that work.
A luxury summer wardrobe lives or dies by fabric. Antimony designs around four natural fibres in summer: long-staple Indian cotton (Bangalore + Coimbatore), Belgian linen, washed silk crepe (Como + Bangalore), and a small production of viscose-silk satin from a Surat partner mill. Together, they cover every register from a Sunday lunch to a late dinner.
Long-staple cotton
The most-used fibre in the Antimony catalogue. We work with two mills in South India that spin a 60-count long-staple cotton, then weave it in plain, poplin and fine twill. It absorbs body heat, releases it within minutes, wears soft after three washes. It also takes natural dye exceptionally well. You’ll find it across our co-ord sets and resort wear.
Belgian linen
For shirting, lightweight blazers and resort sets. The Belgian linen we use is wet-spun and pre-washed, which removes the wiry hand most Indian linens have on day one. It drapes immediately. The wrinkle pattern that develops over a day is intentional — we don’t engineer it out.
Washed silk crepe
Reserved for luxury dresses and slip silhouettes. A heavier silk than most maisons use — around 30 momme — which is what gives the slip its weight and the bias its fall. It is cool against skin and never clings.
Viscose-silk satin
The most affordable fibre we work with. A 70/30 viscose-silk satin in a small Surat mill. Lighter than silk, heavier than rayon. Used in select prints across the party-wear edit. Hand-feel reads close to silk; price reads closer to cotton.
02 — Silhouette
Heat-considered cuts.
The three silhouettes we keep returning to for SS’26: the bias-cut maxi (skims, never clings), the high-waisted column trouser (clean vertical line, hidden waistband), and the wide-cuffed short shirt (lets air move at the shoulder, the most under-rated detail in hot weather).
What we avoid in summer: anything double-layered, anything with hidden mesh lining, anything that requires shapewear. The whole register is built around ease. A dress should fall, not hold. A trouser should sit at the natural waist, not above it. A shirt should breathe at the cuff.
For long coastlines
All resort wear →
03 — Colour
Tonal, micro-batched, slightly off.
The SS’26 palette across the Antimony catalogue is built on six core colours: ivory, sand, lake blue, soft sage, espresso, and a barely-pink that reads neutral in daylight. Every shade is dyed in micro-batches at our partner mill in South India. Between drops the colour can shift by half a shade. We don’t engineer it out — it’s the signature of slow dyeing. If you order a sand co-ord today and a sand slip in October, they will read close, but not identical. That’s correct.
The summer dress edit
All dresses →
04 — Travel
A smaller suitcase.
The Antimony travel formula is six pieces, all natural fibre, all in a shared tonal palette. One bias slip in washed silk. One co-ord in linen that pairs together and apart. One short shirt + short combination. One long resort dress. One soft blazer. One lightweight scarf or wrap. Rolled, not folded, in a carry-on dust bag. Every piece is sized to pair with the others; the slip layers under the blazer, the trouser pairs with the shirt, the wrap doubles as evening cover.
Built to pair
All co-ord sets →
Continue